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Type of management definition. Mission
statement and objectives.
His activity as an operator in the arts field has manifested in
various ways both in the public and private sector.
Some of the activities that account for his work are: the position
of Director of the Municipal Fine Arts Museum of Tandil, the compilation
and edition of Victor Grippo’s book, “Reunion homenaje”(Homage
Meeting) and the organization of the Biennial Venus Art, in Tandil
2003.
At present, he is an independent curator and so he is very much
aware of the artistic situation so as to generate activities and
projects that foster research, interpretation, diffusion, debate
and reflection on Argentine Art as from the turning of the 20th
Century to the current artistic expressions. As well as, any other
artistic manifestation.
Internal organization. Human Resources.
At present, he works as an independent manager.
Between January 2001 and November 2002, he held the position of
Director of the Fine Arts Museum of Tandil, he was responsible for
a team of 18 people. He designed a working and updating plan on
museum sciences that enabled the appraisal of the museum heritage
and that tried to build up, in the community, a sense of museum
appropriation.
His main management achievements are:
-Redefinition of his mission statement.
-Personnel learning was fostered to meet the museum needs and services.
-The people, the City Council, public and private institutions of
Tandil got involved in the museum development plan through an appropriation
process.
-Cooperation and helping relationships were developed with other
museums and cultural institutions of the rest of the country to
ease the exchange of experiences and knowledge.
-Dissemination of information and communication of the works and
identity of the museum artistic asset was boosted and some didactical
content activities were developed.
-Seasonal exhibitions, debates, workshops, seminars, lectures, book
presentations, and movie screening programs were designed.
-The documentation of collections, suitable storage and the proper
exhibition of objects was enhanced.
#Award “Hugo Pargpagnoli” to the Museum of the Year 2001.
Argentine Association of Art Critics.
2003-2004 PROJECTS
PRESENTATION OF THE CURATORIAL PROJECT “ANALOGIES AND CONFRONTATIONS:
other dialogues in the Argentine Art”
This exhibition offers a journey along Argentine art to confront
the past and today thus, encouraging a dialogue among art-works.
The works date back as in the early 20th Century to the current
art expressions. We expect to convene art experts as well as public
in general. We put special emphasis on gearing this call to students
of all ages.
The need to ponder and state different lines of investigation over
the art of our country and giving visibility to the art works that
are namely confined to the limits of private collections or museum
depots give rise to this exhibition.
The artists taking part in this project are: Aizenberg, Roberto
(b. 1928,d. 1996), Benedit, Luis Fernando (b.1937), Compagnucci,
Andrés (b.1966), García Uriburu, Nicolás (b.
1937), Gramajo Gutiérrez, Alfredo (b.1893, d.1961), Kosice,
Gyula (b. 1924), Lindner, Luis (b. 1966), Maccio, Rómulo
(b.1931), Medici, Eduardo (b. 1949), Pacenza, Onofrio (b. 1904,
d. 1971), Quinquela Martín, Benito (b. 1890, d.1977), Weiss
de Rossi, Ana (b.1892, d.1953) among others.
ORGANIZER OF THE BIENNIAL OF ART “ VENUS”,
TANDIL 2003*
From 27th February to 2nd March, 2003
Conceived with a very broad perspective, the biennial was aimed
to grant an environment where artists could strengthen their ties
horizontally, awake their critical spirit and sensitivity to various
ways of expression and share different approaches.
During the Biennial more than 60 artists cooked, shared their daily
meals and slept in common bedrooms. They helped each other in the
making of their productions and discussed about aesthetic appreciation
in long lasting talks that occurred everywhere in the house thus,
strengthening the egalitarian and appropriation sense for the artistic
community to which they belong.
VIRTUAL ART GALLERY. VICTOR GRIPPO: HIS WORKSHOP-HOME. Opening:
2004
Cyber space in its new conception as a showroom.
The virtual exhibition of the Argentine artist Victor Grippo is
under the axis of his workshop-home to have access to his works
from a transversal point view. He expects to convene both art experts
and public in general, and he highlights the fact of calling the
attention and meeting the interests of the average internet user.
Locally, an international-like acknowledgement is owed to Victor
Grippo. Through this site, we commit ourselves to repay such debt,
giving his work, thoughts, ethical attitude and the due visibility.
CV CRISTIAN SEGURA
He was born in Tandil in 1976. He got a degree of National Master
in Drawing, he is a student of museum sciences.
He is a fine artist, an independent curator and he has been a jury-member
in many occasions. His training is vast and has attended several
courses, congresses and seminars on various subjects. Between January
2001 and November 2002 he held the position of Director with the
Fine Arts Museum in Tandil. For his management, he was awarded with
the Prize Hugo Parpgnoli for the museum of the Year in the award
session to Critic and Visual Arts 2001, granted by the International
and Argentine Association of Art Critics. In 2001, he got a scholarship
by the Foundation Antorchas and attended a seminar on Itinerant
Exhibitions, in charge of Joe Madeira, of the National Museum of
Natural History, Smithsonian Institution, in the United States.
On the basis of the acquired knowledge he organized the exhibition
“Heritage Exchange, Argentine Art of the 20Th Century in the
Collection of the Fine Arts Museum of Tandil” that was showed
at the Argentine Theatre of La Plata and Sivori Museum of Buenos
Aires.
Some of his latest projects are: the publication of the book “Victor
Grippo and the homage meeting” that gathers basic texts on
the outstanding Argentine artist. Cristian compiled and was the
author of one of the texts and the producer of the Venus Art Biennial
, in Tandil 2003, jointly organized with the writer Jorge Di Paola.
In 1992, he got an honorable mention at the Biennial of the Museum
of Contemporary Art of Bahia Blanca. Two years later, he got the
First Prize acquisition. He got a scholarship in 2000 and in 2001
he attended programs on art-work analysis and production, organized
by the Foundation Antorchas and some provincial institutions, with
Jorge Macchi, Mauro Machado, Eduardo Medici, Sergio Bazán,
Fabián Lebenglik, Julio Sánchez, Laura Batkis. His
solo shows: Centro Cultural Recoleta (B.A. , 2001), Museum of Contemporary
Art (Bahia Blanca, 2001), Fine Arts Museum (Tandil, 1995 and 1997),
University of Belgrano (B.A., 1996) and among his group exhibitions
in Argentina and abroad: Luias Pedrouzo Gallery (B.A., 2003), “El
Club del Dibujo” (The Drawing Club) at the Teatro Auditorium
of Mar del Plata, 2002; MOTP contemporary art (Mar del Plata, 2002)
and Sigarenfabriek Gallery in Delft, Holland, 1999.
seguraestrella@hotmail.com
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